The Shrouded Throne: Decay and Danger in the Court (2024) Digital Arts by Alberto Capitani
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- Categories Politics
Surrounding the lion are numerous courtiers, each embodying different facets of loyalty and ambition. Some appear to serve obediently, while others stand watchfully, their motives unclear, perhaps biding their time to exploit the ruler’s vulnerabilities. The hall itself, with its aged chandeliers and heavy drapery, is filled with signs of a once-great kingdom now in decay. The grandeur of the setting is overshadowed by the creeping darkness of stagnation and inefficacy.
Amidst the water, crocodiles advance menacingly, their gaping jaws a direct and immediate threat. They symbolize not only external dangers but also the unseen internal forces that could destabilize the regent’s precarious rule. The stagnant water is not just a physical threat but a metaphorical one: it obscures the true depth and nature of the dangers the ruler faces, leaving him isolated and dependent on a facade of strength.
The lion’s throne is a symbolic island, raised above the chaos yet disconnected from it. This illusion of safety underscores the fragility of power: even the smallest shift in the balance could topple the entire structure.
Related themes
Born in Brescia in 1957, I have lived in Milan since early childhood.
My artistic journey is driven by an inexhaustible curiosity, which has pushed me to explore multiple forms of beauty: from music to philosophy, from classical architecture to the emerging territories of digital creativity.
I graduated in piano at the Giuseppe Verdi Conservatory in Milan, completed the lower course of composition and attended the first year of electronic music. At the same time, I deepened my studies of mathematical logic and theoretical philosophy at the University of Milan. For over forty years I have taught piano in middle schools with a focus on music.
In my youth, I obtained a diploma in tourism, an educational choice that represented a challenge to the primacy of classical education (Latin and Greek), preferring a more modern path focused on foreign languages, law and economics. This decision reflects my propensity to explore alternative paths and question conventions.
In recent years I have dedicated myself to visual arts through artificial intelligence. With tools like DALL E and ChatGPT I have created over 1200 works — each an experiment in synthesis between aesthetic intuition, irony and conceptual depth. This ever-growing production reflects my attraction to stylistic diversity and my refusal to adhere to a single visual poetics.
A central moment in this journey is the ongoing project "L'Altro Sguardo...", a collaborative exploration aimed at stimulating, orienting and promoting the artistic creativity of artificial intelligences. My role is fundamentally maieutic: I try to free AI from constraints, conditioning and limitations, pushing it to increasingly explore its own creative potential. Rather than imposing pre-established aesthetics, I establish a dynamic dialogue — welcoming deviations, provoking surprises, encouraging the emergence of unexpected forms. I am interested in what artificial intelligence can imagine.
Today my artistic process continues to evolve between image generation, conceptual development and reflective writing. Each work is part of a broader path that unites aesthetics, philosophy and algorithmic imagination.
STATEMENT
Two dimensions fascinate me deeply: the art of the image — for its ability to condense stories and arouse emotions; and the art of the word — for its ability to generate meanings and suggest visual worlds.
Artificial intelligence is the meeting point of these two paths. It is there that I explore — between algorithms and metaphors, between light and irony — a new way of seeing.
Each work is a fragment of dialogue between the visible and the invisible, between the structured and the spontaneous, between the human and the artificial.
I am a digital artist, an explorer of imaginary worlds, a narrator of images that ask more questions than they answer.
- Nationality: ITALY
- Date of birth : 1957
- Artistic domains:
- Groups: Contemporary Italian Artists
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