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a streetcar with no name but numbered (2021) Photography by Friedrich Ursprung

Fine art paper, 7x12 in

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$73.91
Usage: Web Licence
Using the image on a website or on the internet.
  848 px  

1500 px
Dimensions of the file (px) 848x1500
Use worldwide Yes
Use on multi- Yes
Use on any type of media Yes
Right of reselling No
Max number of prints 0 (Zero)
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  • Giclée Print / Digital Print
  • Dimensions Several sizes available
  • Several s available (Fine art paper, Metal Print, Canvas Print)
  • Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
  • Artwork's condition The artwork is in good condition
  • Categories Comics
Desiderium perit, numerus manet. A tram glides through a gentrified sketch of urbanity—clean, black-and-white, postcard-perfect. But tucked on the wall is a violently colored thumbnail of desire, breaking the grayscale illusion. This isn’t graffiti—it’s a memory of flesh embedded in the city’s operating system. Die Linie 7 oder das Sichtbare im Abseits. [...]
Desiderium perit, numerus manet.

A tram glides through a gentrified sketch of urbanity—clean, black-and-white, postcard-perfect. But tucked on the wall is a violently colored thumbnail of desire, breaking the grayscale illusion.
This isn’t graffiti—it’s a memory of flesh embedded in the city’s operating system.

Die Linie 7 oder das Sichtbare im Abseits

Ein Hinweis auf das, was ständig da ist, aber nicht mitgemeint wird.
Die Bildfläche wird zur Bühne für einen Machtwechsel – vom Zentrum zur Peripherie, vom offiziellen Stadtbild zur subkutanen Chronik eines Begehrens, das sich selbst nicht tarnt, sondern ausstellt. Ohne Erklärung. Ohne Einladung.

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Friedrich Ursprung is a professionnal photographer and digital artist. He defines himself as a free-spirited iconoclast. His work is eclectic from abstract to explicit, about the age of self-referential hedonism. [...]

Friedrich Ursprung is a professionnal photographer and digital artist. He defines himself as a free-spirited iconoclast.

His work is eclectic from abstract to explicit, about the age of self-referential hedonism. He multiplies the images of himself to create a new one

Friedrich Ursprung is a selfie-thaught photographer. He studied method acting in San Francisco and storytelling in L.A.

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