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L'enlèvement de Proserpine (2025) Painting by Gilles Chambon

Oil on Canvas, 17.7x21.7 in
$1,214.39
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  • Oil on Canvas
  • Dimensions Height 17.7in, Width 21.7in
  • Framing This artwork is not framed
  • Categories Mythology
Près de l'Etna, Pluton jadis enleva Proserpine, fille de Déméter, pour l'épo en enfer. Sa disparition de la surface terrestre engendra aussitôt la fin de la végétation. Alors les dieux lui permirent de revenir auprès de sa mère pendant huit mois de l'année, et de ne rester que quatre mois dans le royaume des ombres. Et chaque année cette sombre [...]
Près de l'Etna, Pluton jadis enleva Proserpine, fille de Déméter, pour l'épo en enfer. Sa disparition de la surface terrestre engendra aussitôt la fin de la végétation. Alors les dieux lui permirent de revenir auprès de sa mère pendant huit mois de l'année, et de ne rester que quatre mois dans le royaume des ombres. Et chaque année cette sombre période est marquée par l'hiver, où les arbres semblent mourir, pour ne renaître qu'au printemps, avec les fleurs.
Beaucoup de poètes et de peintres ont raconté cette histoire qui comme les saisons, est peut-être destinée à renaître éternellement sous la plume ou le pinceau.
La mienne est synchronistique, inspirée de Claude Weisbuch (1927-2014) et d'Afro Basaldella (1912-1976), avec un petit clin d'œil à Rubens qui avait intégré la déesse Minerve à sa composition.

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Etna

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Gilles Chambon is a contemporary French painter. After creating fantastic cities in watercolor, he moved on to oil painting, reinterpreting classical painters' topics in an eccentric manner. Since 2014, he has [...]

Gilles Chambon is a contemporary French painter. After creating fantastic cities in watercolor, he moved on to oil painting, reinterpreting classical painters' topics in an eccentric manner. Since 2014, he has begun practicing synchronistic painting, which consists of a telescoping, in each painting, of fragments borrowed from the history of painting and reinterpreted. 

The painted image still has a magical effect on Chambon. His creative method centers on the investigation of the connections between ancient and contemporary works, producing new poetry that he refers to as synchronistic painting. Chambon exhibited his works nationally, as well as internationally in China, Japan, Belgium and Spain. In 2018, he obtained the bronze medal at the 228th Salon des Artistes Français for one of his paintings.



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