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Echappé belle (2018) Photography by Jean Charles Ouvrard

Photography, 15.8x23.6 in
$527.35
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Artwork signed by the artist
Certificate of Authenticity included
Ready to hang
Mounted on Aluminium
  • Digital Photography on Metal
  • Number of copies available 1
  • Dimensions Height 15.8in, Width 23.6in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Bird
Portrait d' Avocettes: " Echappé Belle' " ( Avocettes ). Ce n'est ni une encre de chine ni une peinture mais une photo qui vous donnera cette illusion. Sur papier Fine Art Hahnemühle rag mat 308. dibond 60x40 cm épaisseur 0.2 cm ( avec accroches ). Tirage limité à 30 exemplaires ( reste 15 tirages / 30 ). Tirage Signé, numéroté, certificat [...]
Portrait d' Avocettes: " Echappé Belle' " ( Avocettes )

Ce n'est ni une encre de chine ni une peinture mais une photo qui vous donnera cette illusion.
Sur papier Fine Art Hahnemühle rag mat 308
dibond 60x40 cm épaisseur 0.2 cm ( avec accroches )
Tirage limité à 30 exemplaires ( reste 15 tirages / 30 )
Tirage Signé, numéroté, certificat d'authenticité, facture
Frais de port Offert
livraison 3 semaines à partir du dernier paiement ( possible de paiement en 1, 2 ou 3 fois )

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Jean Charles Ouvrard is a true “Swiss army knife of Photography”: Storm chaser, Animal, Urbex, Landscapes, production of short series telling stories. It brings a fresh look at current and historical events. Whether [...]

Jean Charles Ouvrard is a true “Swiss army knife of Photography”: Storm chaser, Animal, Urbex, Landscapes, production of short series telling stories.

It brings a fresh look at current and historical events. Whether urban or rural, Jean Charles Ouvrard's themes are suspenseful stories that give free rein to the imagination.

Jean Charles Ouvrard is a self-taught artist from Franc Comtois (). His work has been the subject of numerous exhibitions. He has received numerous awards. He was a TIFA 2021 Finalist: Tokyo International Fotos Awards.

The Artist was highlighted in an article in ArtMajeur Magazine:

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