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Simbad (2022) Sculpture by Joëlle Buard
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Usage: Web Licence
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1500 px |
| Dimensions of the file (px) | 1001x1500 |
| Use worldwide | Yes |
| Use on multi- | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
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- Terra cotta on Other substrate
- Number of copies available 1
- Dimensions Height 12.6in, Width 7.1in / 3.00 kg
- Artwork's condition The artwork is in perfect condition
- Fit for outdoor? No, This artwork can not be displayed outdoor
- Categories Men portraits
Simbad, figé dans une posture dynamique, semble sur le point de raconter une nouvelle épopée maritime. Ses traits tannés par les embruns de la mer, son regard bienveillant et empreint d'expérience évoquent une vie d'aventures et de découvertes au cœur des océans. Chaque tentacule semble raconter une histoire et évoque le mouvement fluide de l'eau et la fascination pour l'inexploré. La texture au dos de la sculpture offre une expérience tactile intrigante, invitant les mains à explorer les reliefs détaillés qui dépeignent la roche et la rugosité des créatures marines.
En contemplant cette représentation artistique de Simbad, on est transporté au cœur des récits fantastiques qui ont captivé les imaginations pendant des générations. C'est une invitation à embarquer pour un voyage visuel, où chaque détail sculpté raconte une histoire et où l'esprit du marin légendaire continue de voguer sur les vagues infinies de l'imagination.
Related themes
My journey began with studies in market finance in London and Ningbo, then with a career in international trade and digital marketing in Hong Kong and Paris.
One day, a family accident brought me to the Parisian studio of the sculptor Magali Nourissat. This manual abstraction immediately sparked a real ion in me.
I love the infinite possibilities of working with clay until I find the most appropriate emotion to freeze it in a bronze.
It is in tales and fables, a vector of moral education, that I find my main inspiration. Their imaginary power and their emotional power have therapeutic virtues to cross the ages and existential doubts. I see it as a form of return to the first visual narratives.
In my work, I like to have fun staying on a ridge line at the border of two worlds, that of Man and animal, to reveal both the bestial side of Man and the human side. of the animal.
- Nationality:
- Date of birth : 1991
- Artistic domains:
- Groups: Contemporary French Artists
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