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Aime la nuit (1988) Photography by Johannes Von Saurma

Photography, 24x19.2 in
$1,458.11
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This artwork appears in 3 collections
  • Paper on Paper
  • Number of copies available 1
  • Dimensions Height 24in, Width 19.2in
  • Categories Landscape
En 1988, j'ai réalisée une série de photos de nuit dans la région Provence Côte d'Azur pour la Fondation Mercure About this artwork: Classification, Techniques & Styles. Paper. Sculpture technique using a light and flexible material forming a thin sheet. Figurative. Figurative and colorful painting having taken the liberty of including all forms of [...]
En 1988, j'ai réalisée une série de photos de nuit dans la région Provence Côte d'Azur pour la Fondation Mercure
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Johannes Von Saurma est photographe, un artiste qui parcourt le monde à la recherche de la lumière, de la naissance d’une forme ou d’un mouvement, de la permanence des paysages et des hommes. Soixante années de [...]
Johannes Von Saurma est photographe, un artiste qui parcourt le monde à la recherche de la lumière, de la naissance d’une forme ou d’un mouvement, de la permanence des paysages et des hommes. Soixante années de pratique pendant lesquelles il a développé un goût pour le paysage, les portraits, le geste, l'action. Académique ? Sa démarche pourrait l'être, le résultat ne l'est pas grâce à son oeil, ses sujets et leurs points de vue. Dans ses cartons se côtoient des portraits, des clichés publicitaires, des témoignages, des ambiances, des reportages pour des galeries, des carnets de voyages ou des expositions. « 60 années de photographie au coeur des mondes », voici comment il résume sa démarche et sa carrière. Il aime voir et saisir les coulisses, le savoir-faire, le geste qui engendre l'oeuvre. Son point de vue est guidé par l'envie de participer à la construction d’une mémoire des savoirs et des lieux. Pour restituer son regard, de ses premiers clichés jusqu'aux plus récents, Johannes Von Saurma a choisi la technique photographique argentique. Il utilise des pellicules noir et blanc ou aux couleurs classiques pour saisir puis restituer en laboratoire ce que l'objectif a capté. C'est dans la chambre noire que se poursuit la construction de l'image qui a commencé sur le terrain pour se terminer dans le regard du spectateur. L'intervention du photographe en tant qu'artiste se trouve dans la connaissance et la maîtrise des possibilités de son appareil mais aussi dans la perception et les choix d'utilisation de la lumière, des formes, du cadrage, de la composition.

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