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Rêverie bleue et dentelle de fer (2024) Photography by Joseph Durocher

Photography, 29.9x19.7 in
$331.51
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  • Digital Photography on Paper
  • Number of copies available 24
  • Dimensions Height 29.9in, Width 19.7in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Architecture
Couronnée d’ardoise et drapée de cobalt, la tourelle s’élève comme un songe éveillé. Balcons de fer forgé et ornements délicats encadrent une noblesse tranquille — là où la couleur, l’art et le ciel s’effleurent. Édition limitée de 25 exemplaires. Oeuvre numérotée et signée par l'auteur. Impression sur papier de qualité archivale. On t un certificat [...]
Couronnée d’ardoise et drapée de cobalt, la tourelle s’élève comme un songe éveillé. Balcons de fer forgé et ornements délicats encadrent une noblesse tranquille — là où la couleur, l’art et le ciel s’effleurent.


Édition limitée de 25 exemplaires. Oeuvre numérotée et signée par l'auteur.
Impression sur papier de qualité archivale.
On t un certificat d'authenticité, signé par l'artiste.

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History Of Art

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Since the age of thirteen, I have wandered the streets with a camera in hand, drawn to façades, textures, and the quiet traces of time — to all that architecture reveals about those who built and lived within [...]

Since the age of thirteen, I have wandered the streets with a camera in hand, drawn to façades, textures, and the quiet traces of time — to all that architecture reveals about those who built and lived within it. My artistic practice stems from a deep desire: to bear witness to our cultural responsibility toward spaces we often believe to be eternal, yet which so often vanish without a sound.

My photographic work focuses on architectural heritage — whether beautifully preserved or gently fading. I explore historic neighborhoods in Montréal and elsewhere, seeking out places where time lingers in the details. Through each image, I aim to reveal the quiet dignity of modest structures, the poetry of forgotten craftsmanship, the memory held in a cornice, a balcony, or a weathered wall.

Each photograph is a gesture of preservation, an act of recognition toward forms of beauty made invisible by routine. I work with both film and digital photography, depending on what the subject calls for. Grain, light, and composition all converge to form images where documentary precision meets a carefully nurtured artistic voice.

I hope my photographs invite viewers to slow down — to engage in a silent dialogue with the built world. That they awaken memories, spark reverie, or simply renew one’s attention to what surrounds us.

Ultimately, I photograph so that we might — and so that we might learn to see differently

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