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Gaia (2024) Sculpture by Lisa Roxette

Sculpture - Ceramics, 13.8x15.8 in
$2,285.7
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One of a kind
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  • Ceramics on Object
  • Dimensions Height 13.8in, Width 15.8in / 10.00 kg
  • Artwork's condition The artwork is in perfect condition
  • Fit for outdoor? No, This artwork can not be displayed outdoor
  • Categories Mythology
Gaia is a tribute to the immortal spirit and vitality of the Earth, expressed in the timeless medium of ceramics. The piece embodies the essence of our planet as a living, breathing being, rooted in ancient mythologies and resonating with contemporary environmental awareness. I wanted to depict another powerful, imaginative woman. Every day we are [...]
Gaia is a tribute to the immortal spirit and vitality of the Earth, expressed in the timeless medium of ceramics. The piece embodies the essence of our planet as a living, breathing being, rooted in ancient mythologies and resonating with contemporary environmental awareness.

I wanted to depict another powerful, imaginative woman. Every day we are inundated with news about how badly we humans treat nature and the consequences of this. I imagined that Gaia, according to the ancient Greeks our primal mother and the personification of the earth, would not be happy with our behavior. I decided to delve into her story and this image of her came into being. A somewhat grumpy queen of the elements that form the basis of our planet.

According to Greek mythology, Gaia, our primal mother, consisted of the elements earth, water, fire and wind. I decided to make her a wooden woman to also show her vulnerability. She comes from curled roots and is the product of our fertile soil—wood from the earth. On her head are tree trunks in which candles are placed. Twisted blue candles that can really burn, symbolizing wind and fire. On the back of her head, between the trunks of the felled trees, is a small lake that cascades down her neck, symbolizing water.

Gaia’s second hand is detached from her body, with sand pouring from her fist like an hourglass. According to the stories, time began when Gaia was first impregnated by Ouranos (the sky). Their union produced the 12 Titans—six men and six women—destined to become the second generation of divine beings.

This sculpture is meticulously sculpted by hand, with every curve and texture intentionally chosen to reflect the natural landscapes—mountains, valleys, rivers, and forests—that make up our world. The use of earthy tones and organic forms invites the viewer to connect with the raw, untouched beauty of nature and emphasizes the interconnectedness of all life forms.

The intricate details in Gaia are symbolic of the delicate balance that sustains our ecosystems. Patterns inspired by plant life, watercourses, and geological formations come together to create a harmonious yet complex visual narrative. These elements remind us of the fragility of the Earth and the urgent need for proper stewardship and respect for our environment.

Gaia stands as a testament to the Earth’s resilience and nurturing power, embodying both its strength and its vulnerability. By engaging with this piece, I hope to inspire a sense of reverence and responsibility for the planet we call home. It is a call to action, urging us to recognize our role in preserving the natural world for future generations.

With Gaia, I seek to evoke a deeper appreciation for the Earth’s beauty and an awareness of our impact on it, and to encourage a symbiotic relationship between humanity and nature.

Related themes

Figurative

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Als beeldend kunstenaar kan ik aan de slag gaan met elk materiaal dat ik voor handen heb, maar de klei heeft echt mijn hart gestolen. Het materiaal en en de mogelijkheden zijn zo divers en wonderlijk. Sinds ik [...]

Als beeldend kunstenaar kan ik aan de slag gaan met elk materiaal dat ik voor handen heb, maar de klei heeft echt mijn hart gestolen. Het materiaal en en de mogelijkheden zijn zo divers en wonderlijk. Sinds ik de weg naar de keramiek gevonden heb, ben ik erdoor betoverd. Pas als het werk uit de kiln (oven) komt, weet je of het gelukt is. En als dat zo is, dan ben je onbeschrijfelijk gelukkig.

 

Uniek figuratief werk

De technieken die ik gebruik om mijn figuratieve sculpturen te maken, heb ik mij zelf eigen gemaakt. Mijn jarenlange ervaring met en kennis van andere materialen komen ook bij het werken met klei goed van pas.  Omdat ik houd van experimenteren, nieuwsgierig ben en graag mijn eigen weg bewandel is mijn werk best uniek te noemen. En kleurrijk.

Ik hou van figuratieve drie-demensionale werken. Als kind sprak me dat al het meest aan. Ik hield van tekenen. maar nog meer van handvaardigheid. Ik hield van de  sculpturen in het Louvre, het werk van Rodin en Picasso. Maar ook van de humor van Dali. 

 Ik zoog het in me op en nu maak ik ook mijn beleving  tastbaar.  Ik wil wat ik voor me zie, de inspiratie, kunnen aanraken en er omheen lopen. Het nog dieper bestuderen. Er elke keer opnieuw door verwonderd raken. En er anderen mee verwonderen.

 

Inspiratie

Ik ben een echte priegelaar en maak graag figuratief en verhalend werk. De inspiratie voor mijn werk haal ik uit sprookjes, volksverhalen, mythologie ,fantasy en de natuur. En dat combineer ik dan het liefst met zowel de wonderlijke schoonheid, als de moeilijke kanten van het dagelijks leven. Avontuurlijk dromen in klei.

De ideeen voor mijn werk komen spontaan. Als ik ervoor open sta komen er vaak veel ideeen achter elkaar. Het is een mix van de inspiratie die ik zoek en mijn eigen gedachten. Ik probeer zo veel mogelijk te noteren. Daarna laat ik het een beetje sudderen.

 Als een idee vaak terugkomt, dan is het sterk genoeg. Dan ga ik het maken. 

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