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The Phenomenon of Hope (BT345) (2024) Painting by Noël Van Hoof
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Seller Noël Van Hoof
"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
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| 1245 px | ||
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1500 px |
| Dimensions of the file (px) | 1245x1500 |
| Use worldwide | Yes |
| Use on multi- | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
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- Watercolor on Cardboard
- Dimensions 19.7x15.8 in
Dimensions of the work alone, without framing: Height 14.2in, Width 11.8in - Artwork's condition The artwork is in perfect condition
- Framing This artwork is framed (Frame + Under Glass)
- Categories Caricature
But may not the thesis of the temporality of moods hold only for those phenomena which we have selected for our analysis? How is a temporal meaning to be found in the pallid lack of mood which dominates the 'grey everyday' through and through? And how about the temporality of such moods and affects as hope, joy, enthusiasm, gaiety? Not only fear and anxiety, but other moods, are founded existentially upon one's having been; this becomes plain if we merely mention such phenomena as satiety, sadness, melancholy, and desperation. Of course these must be interpreted on the broader basis of an existential analytic of Dasein that has been well worked out. But even a phenomenon like hope, which seems to be founded wholly upon the future, must be analysed in much the same way as fear. Hope has sometimes been characterized as the expectation of a bonum futurum, to distinguish it from fear, which relates itself to a malum futurum. But what is decisive for the structure of hope as a phenomenon, is not so much the 'futural' character of that to which it relates itself but rather the existential meaning of hoping itself. Even here its character as a mood lies primarily in hoping as hoping as something for oneself [Für-sich-erhoffen]. He who hopes takes himself with him into his hope, as it were and brings himself up against what he hopes for. But this presupposes that he has somehow arrived at himself. To say that hope brings alleviations [erleichtert] from depressing misgivings, means merely that even hope, as a state-of-mind, is still related to our burdens, and related in the mode of Being-as-having been. Such a mood of elation – or better, one which elates – is ontologically possible only if Dasein has an ecstatico-temporal relation to the thrown ground of itself.
(Translation by John Macquarrie and Edward Robinson)
Related themes
Most of my paintings are inspired by books or music, they are a tribute to a certain author, philosopher, composer or artist and his/her work. Reproductions of my works are for sale by Artmajeur. People who are interested in the original work can send me a message. The ecoline paintings are framed (light oak or black aluminum), they have a e-partout and a plate of glass on the front. Oil paintings have a wire on the back so they can be hung.
- Nationality: NETHERLANDS
- Date of birth : 1963
- Artistic domains:
- Groups: Contemporary Dutch Artists
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