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In between waves (2023) Painting by Ritchelly Oliveira

Acrylic on Canvas, 47.6x33.9 in
$11,714.67
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This artwork is framed
Mounted on Wood Stretcher frame
This artwork appears in 3 collections
  • Charcoal on Canvas
  • Dimensions 49.2x35.4 in
    Dimensions of the work alone, without framing: Height 47.6in, Width 33.9in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is framed
  • Categories Love
"In Between Waves" by Ritchelly Oliveira is a striking piece of artwork that explores themes of identity, fragility, and the constant flux of life. Set against a pristine white background, the central focus of the painting is a black man with vitiligo, a condition characterized by patches of depigmented skin. This choice of subject matter reflects [...]
"In Between Waves" by Ritchelly Oliveira is a striking piece of artwork that explores themes of identity, fragility, and the constant flux of life. Set against a pristine white background, the central focus of the painting is a black man with vitiligo, a condition characterized by patches of depigmented skin. This choice of subject matter reflects Oliveira's commitment to representing diverse experiences within the black community.

At the heart of the composition, the man stands with a dignified presence, his expression suggesting introspection and resilience in the face of adversity. The portrayal of vitiligo adds depth to the narrative, emphasizing the beauty found in uniqueness and the complexities of one's relationship with their own body.

Flying in front of the man's chest and neck are doves, symbolizing fragility and vulnerability. However, there is a sense of freedom and grace in their flight. Oliveira's decision to depict the doves without paws, preventing them from ever touching the ground, adds a poignant layer of symbolism. It suggests a perpetual state of motion and instability, mirroring the ever-changing nature of life itself.

"In Between Waves" invites viewers to contemplate the delicate balance between strength and vulnerability, individuality and interconnectedness. Through his masterful use of symbolism and composition, Oliveira creates a captivating artwork that resonates on both a visual and emotional level, encouraging reflection on the human experience.
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Artist represented by Tilsitt Gallery
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Ritchelly Oliveira, born in 1993 in Brazil, is a visual artist who studied visual arts at the Federal University of Goiás (UFG). He began his professional journey in the plastic arts in 2012 and has since [...]

Ritchelly Oliveira, born in 1993 in Brazil, is a visual artist who studied visual arts at the Federal University of Goiás (UFG). He began his professional journey in the plastic arts in 2012 and has since developed a distinctive approach to exploring the human figure. Oliveira’s work delves into what he perceives as the deepest aspects of affective relationships, particularly the concept of love. He views love as a universal feeling, yet one that remains deeply individual and personal, often tied to emotional wounds that may never fully heal. His art speaks to the courage required to navigate emotional experiences and the complexities of human connection.

Over the years, Ritchelly Oliveira has gained recognition in the art world, with his works exhibited in both Brazil and the United States, and featured in various international magazines. He believes that portraits act as fingerprints in our minds, allowing us to explore the connections between love, family, and daily experiences. For Oliveira, the portrait serves as a way to both honor presence and address absence, helping to bridge the gap between the living and the departed. His process also allows viewers to identify with the emotions conveyed through these intimate depictions.

Some of his portraits are intentionally unfinished, reflecting the idea that, much like human beings, we are constantly evolving and carrying unanswered questions and unfulfilled desires. These gaps in his work invite new interpretations and meanings, embracing the potential of the unfinished. Although Oliveira’s work now primarily aligns with realism, he stresses that this style emerged organically and without pretense, becoming a natural part of his artistic expression.

The Artist was highlighted in an article in ArtMajeur Magazine:

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