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Central Margins - Apr. 22, 2023, 17:18:52 (2023) Photography by Shuzo Takechi

Fine art paper, 12x8 in

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Usage: Web Licence
Using the image on a website or on the internet.
  1001 px  

1500 px
Dimensions of the file (px) 1001x1500
Use worldwide Yes
Use on multi- Yes
Use on any type of media Yes
Right of reselling No
Max number of prints 0 (Zero)
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  • Giclée Print / Digital Print
  • Dimensions Several sizes available
  • Several s available (Fine art paper, Metal Print, Canvas Print)
  • Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
  • Artwork's condition The artwork is in perfect condition
  • Categories City
There is only form. Nothing else. 形しかない。. 他に何もない。 About this artwork: Classification, Techniques & Styles. Technic Photography. Photography refers to the combination of processes, techniques and materials that allow you to capture a subject in still images. Photograph also refers to the image that is obtained, whether it be phototype or not. This term [...]
There is only form.
Nothing else.

形しかない。
他に何もない。

Related themes

Monochrome

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I feel that the essence of seeing lies hidden in the faint seeds of something, or in the fluctuation that exists before a specific meaning is established. Shuzo Takechi is a visual artist who works with photography [...]

I feel that the essence of seeing lies hidden in the faint seeds of something, or in the fluctuation that exists before a specific meaning is established.

Shuzo Takechi is a visual artist who works with photography to quietly record subtle instabilities in visual perception—states in which structure has yet to settle.
Based in Matsudo, Chiba, he focuses on the marginal and often overlooked visual conditions of urban and peripheral environments.

His practice begins with unconscious, bodily judgments that arise automatically in response to what is seen—like linguistic habits or preferences in taste.
These are eventually ed on to conscious recognition, but Takechi remains in the transitional space between them, observing how meaning starts to form.

During shooting, he tries to distance himself from previous images or mental constructs, approaching each scene without predetermined intent.
He seeks to remain at the minimal threshold of seeing—not to assert meaning, but to receive whatever faint reactions arise from the encounter itself.

His work often focuses on boundaries, perceptual shifts, and quiet junctures, and spaces that resist classification.
Since 2020, he has continued a practice that records not what is reproduced, but how recognition itself subtly changes in the act of looking.

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